宗薩徹底剝削所有女性可利用之處 v.s.從噶瑪巴姊弟看藏傳的亂倫文化 Dzongsar Khyentse Consumes Women Completely. v.s Incest in Tibetan culture: the relationship between Karmapa and his older sister.
再回來談到所謂覺知的營造,最簡單的就是,去改變故事的說法,以符合他所想要營造的形象。比如在最近的一篇宗薩欽哲自傳中提到他的祖父敦珠法王與祖母「分居」後,選擇了繼祖母云云。事實上,宗薩欽哲在秘密私人教授裡曾經幾次都談過這個故事的真正版本:他這位特別的祖母,事實上是拋棄了敦珠法王,跟自己的女婿私奔了 — 是的,就是亂倫的姊弟 / 母子戀。宗薩欽哲稱讚敦珠法王戴了綠帽卻不慌不亂,還得意地笑稱他的家族出了一位「 Motherf*cker 」。這位祖母根本不是他傳記文章裡寫的,敦珠法王與她「分居」,而是她大膽地跟小鮮肉跑了!接著在這篇自傳中又提到,他的繼祖母非常跋扈霸道,管制了所有晉見敦珠法王的管道,他感到十分委屈,於是遵循頂果欽哲上師的指示,要自己啟動「淨觀」,將敦珠法王視為蓮師,那麼他這位惹人厭的繼祖母,就是偉大的蓮師佛母,所以再難以接受,他也嚥下去了。而這就是以偉大淨觀消滅了你的「覺知惡魔」,這就是虔誠心的功德。反過來說,如果無法擁有這種淨觀,就是被魔鬼佔據! Let’s tune our focus back on perception management. The simplest trick is to tweak the storytelling to fit their own agenda to shape the positive images. For example, in Dzongsar Khyentse’s recent biography episode about the separation of his grandfather Dudjom Rinpoche and his grandmother, Dzongasr Khyentse’s version on this public website is that Dudjom Rinpoche "chose to separate with his grandmother" something like that. However, the real version is this: he talked about it in his secret private teachings: that Dudjom Rinpoche was actually dumpe...